A debut album is more than just a collection of songs. It marks an artist’s growth, maturity, and new chapter, both in sound and in perspective.
Prinx Emmanuel’s “According to Brother Nwachukwu” does exactly that—blending faith, storytelling, and innovation to redefine Afro Gospel. It is a statement of intent in the ever-expanding Afrogospel movement and this body of art solidifies Prinx’s place in the urban gospel scene.
The album kicks off with Agaracha, an Afro-pop track inspired by the parable of the prodigal son.
Beyond its infectious rhythm, the song’s layered storytelling and background vocals add depth and emotion. It’s a strong opening that sets the tone for an album filled with reflections on redemption, faith, and divine encounters.
One of Prinx Emmanuel’s greatest strengths is his willingness to experiment, and According to Brother Nwachukwu is a testament to that.
In an industry where sonic diversity is sometimes underexplored, Prinx effortlessly traverses multiple genres; Afrobeat, Amapiano, highlife, Afro-pop, and Afro-fusion, showcasing not only his versatility but also the limitless potential of Afro Gospel.
In a world where gospel music is often boxed in, Prinx Emmanuel, alongside his peers, continues to prove that faith and creativity can coexist in the mainstream.
His music bridges tradition and modernity, making gospel music more relatable than ever.
As with many debut albums, According to Brother Nwachukwu includes select guest appearances that add depth and richness to the project. Victor Thompson, a longtime friend and one of gospel’s most consistent voices, delivers his signature depth, reinforcing the album’s spiritual core. Greatman Takit also delievered a master performance on the track “Ebeni”.
The most unexpected collaboration, however, comes from Kolaboy, a fast-rising Igbo rapper known for his street-conscious narratives. While his presence on a gospel album might seem unconventional, his distinct lyrical style and storytelling bring a fresh dynamic, proving that gospel music thrives when it embraces diversity.
Before the album’s release, El-roi and Zoe served as lead singles that gave listeners a glimpse into what to expect. However, they barely scratched the surface of how immersive the full project would be.
From start to finish, According to Brother Nwachukwu delivers a compelling balance of storytelling, sonic depth, and cultural relevance.
It’s more than just an album, it’s a defining moment for Prinx Emmanuel and a significant step forward for Afro Gospel as a movement.
